On receiving the score for this composition, conductor Lawrence Leonard, who premičred From the Diary of Anne Frank in 1970 with soloist Lois Marshall, wrote to Morawetz:
I was delighted with the score - I have already started work on it, and find it so rewarding to study a really well written piece - this quite apart from the quality of the music which I find so profound.

Lawrence Leonard,
1974

Morawetz, Lois Marshall holding roses sent by father of Anne Frank, Otto, and Victor Kugler, who hid the Frank family.
Toronto, 1970.

Karel Ancerl gave a repeat performance in Toronto with Lois Marshall and the Toronto Symphony  in 1972, and then the musicians presented the Diary in Carnegie Hall in New York and the Kennedy Centre in Washington. Maestro Ancerl described the work as "one of the most moving works he had conducted during the last two decades."

Karel Ancerl

Karel Ancerl
Photo: Cavouk Portraits

In 1974, Israeli prime minister Golda Meir made an official visit to Toronto. On hearing that Morawetz received an award for his composition From the Diary of Anne Frank from the Segal Foundation in Montreal "as the most important contribution to Jewish culture and music in Canada", the premier requested the meeting with Morawetz.

Golda Meir and Morawetz
Photo: Graphic Artists Photographer, 1974

Golda Meir and Morawetz, 1974

In 1976, Morawetz travelled to Israel to hear the Israel Philharmonic under the direction of Uri Segal perform the Diary with soloist, soprano Adi Etzion-Zak.


Morawetz, Adi Etzion-Zak, Uri Segal in Tel Aviv, 1976


In 1977, František Vajnar led the Czech Philharmonic with soprano Eva Děpoltová in a Prague performance.

František Vajnar
and Morawetz
Prague 1977

Eva Děpoltová
and Morawetz
Prague 1977

Boris Brott first presented the work with the CBC Festival Orchestra, and then introduced the work to Winnipeg audiences in 1982 with mezzo Judith Forst.


Boris Brott, 1975


Kazuyoshi Akiyama conducted Vancouver performances of the Diary in 1983 and 1995, both times with Judith Forst as soloist.


Kazuyoshi Akiyama, Judith Forst, Oskar Morawetz, 1983


Sir Andrew Davis led the Toronto Symphony in a 1987 performance with soloist Judith Forst.

Sir Andrew Davis and
Morawetz, 1987

Judith Forst
and Morawetz,
1987

In 1988, mezzo Marilyn Schmiege was soloist with the National Arts Centre Orchestra and conductor Gabriel Chmura.


Gabriel Chmura, Marilyn Schmiege and Morawetz, Ottawa 1988


Georg Tintner led Symphony Nova Scotia in a performance with soloist Jean Stilwell.


Morawetz, Georg Tintner, Jean Stilwell, 1990.

May 15, 1990. CKDU-FM (Halifax): Michael Wile interviewing Morawetz before the Symphony Nova Scotia performance:

I wanted to ask you first if you often come to cities where your works are being premičred or being performed?

Have you had a chance to attend some rehearsals?

What was your inspiration for writing these works; you had obviously read her diary...


Judith Forst sang the work again in 1991 with Mario Bernardi conducting the Calgary Philharmonic. In 2001, the two artists recorded the composition with the CBC Orchestra. The CD won a Juno Award for Best Classical Composition. On March 21, 2002, they appeared on the CBC-TV presentation "Opening Night" in a special presentation about the holocaust.


Morawetz, Judith Forst, Mario Bernardi, 1991


Mezzo Sandra Graham sang the Diary with Bramwell Tovey and the Edmonton Symphony in 1992, and then with Vladimir Ashkenazy conducting the Cleveland Orchestra in 1995. In December of that year, she sang with the Toronto Symphony and conductor Jukka-Pekka Saraste.

Bramwell Tovey, Morawetz and Sandra Graham, 1992

Morawetz and Vladimir Ashkenazy, 1995

Sandra Graham and Morawetz, 1995