[...]
The Fantasy by the Czech-Canadian composer Oskar Morawetz which is dedicated to
her [Margaret Ann Ireland], was surprising for the excellent workmanship with which it is written. The
rather long work displays a strict unity, in spite of its great freedom of form.
The melodious topics are not his strongest side, but his interesting musical
language certainly is. Morawetz must know the artistic and technical capacities
of his interpreter very well indeed. Miss Ireland capably managed this far from
easy work.
[...]
