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Sinfonietta for Strings
Allegro non troppo - Adagio, allegro, adagio - Allegro con brio


Apr. 18, 1991 The Evening Times-Globe by Helmer Biermann

Orchestra brings out soul of Sinfonietta

It isn't often that a visiting composer is present in a Saint John audience to hear a performance of one of his own works. Last night was one of those special occasions.

Oskar Morawetz, Czechoslovakia-born Canadian composer, was called to the stage after a performance of his stunning and quite difficult string Sinfonietta. He applauded the New Brunswick Chamber Orchestra hugged Maestro Nurhan Arman and beamed his approval as the enthusiasm of those in attendance showed approval for the composition and the performance.

The Sinfonietta, composed in the 1960s and recently revised, received a remarkably brilliant performance that brought out all the nuances, the climaxes and the superb writing. Well, it might have been expected since the ensemble on stage was the professional core of the Saint John Symphony that showed its excellence and brought out the soul of the music.

Lots of contrast in the three movements and lots of opportunity for the ensemble to show its artistry. Linked with two other string works in a program originally billed as a Slavonic Rhapsody, the ensemble engineered its fine reading not, it seemed, because the composer was in the audience, but with a conviction that this composition merited something more than just a routine reading.

It's a work that has received widespread attention and justifiably so. Certainly one of the stimulating forms of music is that written for string orchestra and the myriad of great works written over the past century and a half (crowned by Vaughn [sic] Williams Fantasia) has merited a lot of attention. There were no Rhapsodies on this program devoted to Slavonic composers, but the suite, the sinfoniette and the serenade seemed sufficient rhapsodizing to satisfy the most discriminating audience.

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There was of course, a whole other dimension in the 20th century Morawetz work - modern, yet not complex and easily accessible to the average listener - a piece of music that definitely deserves a prominent place among contemporary string pieces.

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